13 Main Reasons Why Revealed a Gay Character—And Then he was killed by them

13 Main Reasons Why Revealed a Gay Character—And Then he was killed by them

Spoiler and trigger warnings.

After final period’s horrific finale where Tyler Down is graphically intimately assaulted having a broom, we vowed to myself that I would personallyn’t view more of Netflix’s controversial show 13 reasoned explanations why, which will be problematic at the best and a heap that is flaming of at worst.

I planned on maintaining that promise—that is, until i got to my home Friday evening and my roommate had been an episodes that are few. Therefore I chose to settle in, and we also quickly binged all of it.

And I regret it.

The majority of period three reads being an apology trip for a serial rapist. We find away in episode the one that Bryce Walker, the jock that is vile raped Hannah Baker in period one, happens to be murdered and any one of many major castmates had likely cause to destroy him. Through flashbacks, we are obligated to look at « good part » of Bryce where he attempts to make amends for their « mistakes, » but fails therefore spectacularly he ultimately ends up dead.

Throughout all that nonsense, 13 main reasons why manages to introduce and bury a homosexual character in a matter of some episodes.

We came across Montgomery de la Cruz final season, but we did not understand much about him besides their All-American asshole jock demeanor that took a change for the even worse as he graphically sodomized Tyler against their might. The attack stayed a key and lingers over Monty’s character all period very long.

In episode five of the period, Monty attends an ongoing celebration with Bryce. We later learn is named Winston as they walk up to the mansion that these high schoolers are partying in, Monty makes intense eye contact with a boy.

« that is the Latinx? » Winston leans over to their buddy as Monty walks previous, though We have no clue A) exactly how anybody would assume this guy ended up being such a thing except that caucasian and B) why this young kid means somebody as « the Latinx. » Is it a racist pejorative? Some modern brand new slang? Then simply Latino? I do not understand things to feel in this brief minute besides amused confusion. The truth is, the star whom plays Monty, Timothy Granaderos, is half Filipino, but We digress.

The way closeted kids struggling with their sexuality do after a few drinks and more lingering eye contact, Monty and Winston uncomfortably hook up in an upstairs bedroom. But as Bryce and Monty leave the celebration, Winston gets up and states bye to him in the front of everybody. Incorrect move. Monty calls the kid a faggot and quickly beats the shit away from him.

The scene adds an upsetting new layer of homophobia and self-loathing to his prior sexual assault of Tyler as Monty’s repressed sexuality is clearly playing a role in his rage and violence.

Very little else happens with Monty’s sex before the period finale, where this period’s inconvenient new narrator that is british structures Monty for Bryce’s murder through « process of eradication. » Literally. She describes up to a deputy that since everybody else had an alibi, it might simply be Monty. No proof required. Completely rational.

But while Ani is weaving her internet of lies, we come across just exactly exactly what Monty had been really as much as that night. He bumped into Winston once again, apologized for their actions, and also the two boys wind up spending the evening together, an infinitely more tender scene compared to the one before.

Viewing them explore their attraction to one another therefore lightly is clearly quite touching, making their terrible actions also tougher to consume. He seems he wants to be, so Monty lashes out in disgusting ways like he can’t http://russian-brides.us/latin-brides/ be who. We even get yourself a scene where Monty’s daddy visits him in prison and spits on him to be homosexual. Perhaps We have a spot that is soft LGBTQ figures, but Monty’s story hit a lot more of a chord for the reason that ten-minute period that Bryce’s storyline had all period.

Whenever Ani completes telling lies on Monty, the deputy she is sharing reveals that Monty to her murder theory ended up being really been murdered in their cell earlier that day. Then he agrees to implicate Monty to cover the involvement up of their own son.

And thus another homosexual is hidden. And our gang of « heroes » successfully pinned Bryce’s murder for a dead kid.

There is so much for this plot that requires unpacking.

Myself, i am tired of the storyline that is pretty-softboi-falls-for-the-abusive-closeted-jock therefore numerous homosexual coming-of-age tales revolve around. Possibly the Perks to be a Wallflower made it happen most readily useful, but it’s become a little bit of a cliche that is dangerous this aspect. A lot of queer stories center violence at the beginning of relationships that individuals ultimately need certainly to ask whenever we’re simply telling tales or perpetuating stereotypes and producing harmful objectives for young queer audiences. Particularly when the upheaval of the who had been mistreated is not explored in virtually any way that is meaningful plus they nevertheless wind up dating their abuser.

Bryce Walker’s storyline is similar to Brock Turner and several male that is white for the reason that he’s pathologically humanized. He is simply a young child. He made some mistakes that are awful. He also gets a love interest in 2010. But while this man that is white to inquire about for understanding and forgiveness, no body attempts to realize any such thing concerning the queer person-of-color which was just falsely accused of murder and eventually ends up dead in a prison mobile. This is certainly possibly the most upsetting dual standard associated with period.

13 Factors why demanded us to determine if abusers deserve forgiveness this season but—either unintentionally or purposefully—decided that this person that is queer of did not deserve the same form of nuanced discussion, and alternatively kills him down before we have had the opportunity to ask issue for ourselves.

Within the last moments of this finale, Winston confronts Ani on framing Monty for Bryce’s murder. « He had been a person, » he states forebodingly, promising a return next period. « He don’t deserve to perish like this. » And then he’s appropriate. Making use of the hardships of LGBTQ teenagers as a plot device, then swiftly killing off the character, reinforces the indisputable fact that our storylines—and lives—are inconsequential and disposable.

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